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Sounds of Christmas Pre-Concert Notes

DID YOU KNOW…..

George Fredric Handel was born in 1685 in the little town of Halle, in Saxon Germany. He died on Good Friday, l759 in London and is buried in Westminster Abby among all the poets and Kings and Queens. You’d think with all the music he composed someone would have had the sense to have had some of it played at his funeral. But the music was composed by William Croft. Handel got his revenge later. No one listens to Croft, nowadays, or even knows who he is!!!

 

“Messiah” was first performed in Dublin, Ireland in 1742, with 700 people packed into a theater designed to hold 600. In the advertisements, ladies were asked to wear skirts without hoops and gentlemen were asked to leave their swords at home to make more room. It was a huge success, with no fights occurring and Handel using it to close the season with a bang each year.

 

“Messiah” is an oratorio, and one of many Handel wrote. An oratorio is like an opera without props, scenery and costumes. It tells a story, like an opera, but is much cheaper to present.

 

The first performance, ”Messiah” was a charity event held to raise money for prisoners and orphans. There were 32 singers in the chorus–16 boy trebles–and 16 men for the other parts. The orchestra was quite small, also, numbering about 32 players. Where would the Morman Tabernacle Choir be today without “Messiah”????

In London, it could not be performed in a cathedral. The rich middle class considered professional singers to be good for nothings and reprobates and whose exploits were still a chief topic of gossipmongers and tattletales.  It wasn’t so bad when Old Testament themes were used in oratorios. But an oratorio based on a Christian theme…and in the theater, no less…well, they weren’t whether that would do at all. So, the first performance in London was in the Theatre Royal in Covent Garden on March 23, 1743, with repeat performances on the 25th and 29th. It interesting that Handel conducted at during the Lent Easter period and not Christmas. When you hear “Messiah” in its full version, you could understand why.

 

Standing for the Hallelujah chorus is a tradition that continues to this day. WHY you ask. Well, no one’s quite sure how it got started except that King George II started it. One version is that he was so moved by the glory of the music that he stood in reverence, and that we should all do the same. It’s just as likely, knowing George, that his foot had gone to sleep and he stood up to get the circulation going, or that he arrived late (George was always late for things.) and everybody stood up because that’s what you do when the King arrives!!! You know how it ism, once the King stands up, everybody has to stand up!!!

 

The first full performance of “Messiah” in North America seems to have been in Boston, on Christmas Day, in 1818, although the “Hallelujah” chorus and other excerpts had been performed in New York as early as 1770. Expanding the orchestra, may make the sound bigger and more impressive, but it may not what Handel had in mind. The orchestras during the Classical Period were around 35 players. However, if Handel had had access to clarinets, trombones and double bassoons, he’d have used them, too.

Tickets Available Online

Individual concert tickets for the 2011-2012 season discover are now available online!

The 2011-2012 season discover concert season offers 5 exciting concerts that are sure to entertain, educate and inspire. Tickets for individual concerts are now available on the Symphony web site by visiting the concert’s information page. Season tickets are also available for $140, a savings of over $60 per ticket!

Individual concert tickets start at just $10 for the side balcony. Rear Floor seats are $25 and Premiere seats are only $40.

DNJ Features An Evening with Andrew Risinger

Pipe organ key to symphony concert

World-renowned musician to take center stage

BY SAMANTHA E. WILLIAMS • SEWILLIAMS@DNJ.COM • February 17, 2011

The music of First United Methodist Church’s grand pipe organ will fill the 87-foot-tall sanctuary Friday evening for the Murfreesboro Symphony Orchestra concert.

World-renown organist Andrew Risinger will perform classic and popular pieces on the Milnar Organ at 7:30 p.m. Friday at the church.

Andrew Risinger is an adjunct instructor at the Belmont University School of Music where he teaches applied organ classes.

Risinger was awarded second prize in the American Guild of Organists’ National Young Artists Competition in Organ Performance in 1994, and he is a past winner of the William C. Hall Organ Competition in San Antonio.

As a recitalist, he has performed in Texas, California, the Midwest and throughout the Eastern United States. In the summer of 1996, he performed at St. Patrick’s Cathedral in New York City as a part of the opening convocation of the American Guild of Organists’ Centennial Convention. Two years later, Risinger traveled to England for his first overseas solo recital with a performance in Great Torrington, Devonshire. He has also appeared as organ soloist with the Nashville Symphony Orchestra and the Illinois Symphony Orchestra.

Selections from the concert will include Bach’s “Toccata & Fugue in D Minor, BWV 565,” John Weaver’s “Rhapsody for Flute & Organ” and Pietro Mascagni’s “Intermezzo” from “Cavalleria Rusticana,” among many others.

Tickets are $40 for premiere seating, $25 for floor and $10 for side balcony. First United Methodist Church is located at 265 W. Thompson Lane.

For tickets, or for more information, go to www.murfreesborosymphony.com.

Upcoming symphony events include a wine tasting, Music on Maple, held at Maple Street Grill on March 13, and a concert “American Landscapes with Kelly Corcoran” scheduled for April 14.

— Samantha E. Williams, 615-278-5155

Andrew Risinger Program Announced

Can’t wait to here what renowned organist Andrew Risinger is going to perform at his concert next month? We couldn’t either. Here’s a sneak peek of what he and the grand organ at First United Methodist Church will present. Get your tickets here! (Oh, and be on the lookout for another Groupon for an incredible deal on the next TWO MSO concerts!)

An Evening with Andrew Risinger

  • Grand Choeur Dialogue – Eugene Gigout
  • Toccata & Fugue in D Minor, BWV 565  -  J. S. Bach
  • Rhapsody for Flute & Organ –  John Weaver
  • If With All Your Hearts from Elijah – Felix Mendelssohn
  • Adagio in E Major – Frank Bridge
  • Cappricio for Organ & Violin – Naji Hakim
  • Lotus (arranged by Alec Wyton) - Billy Strayhorn
  • Final from Symphony I – Louis Vierne
  • Intermezzo from Cavalleria Rusticana  - Pietro Mascagni
  • Scherzo from Symphony IV – C. M. Widor
  • Londonderry Air
  • Final from Symphonie in D Minor + timpani – Alexandre Guilmant

A Fireside Christmas Photos on Facebook

Visit our Facebook page to see photos from last night’s A Fireside Christmas conducted by Joseph Hermann.

Murfreesboro Symphony Thanks New Media Partner

The Murfreesboro Symphony Orchestra is proud to bring a warm welcome to our new Media Partner, VIP Murfreesboro Magazine.

MSO welcomes Media Partner

Murfreesboro Symphony Featured in Groupon

The MSO is today’s Groupon deal with $20 tickets for the Christmas Concert A Fireside Christmas.

Get your Groupon today only!

NEW TICKET PRICES

The Murfreesboro Symphony Orchestra, the cultural heartbeat of Middle Tennessee, has just announced new ticket prices for the 2010-2011 season.

“We’re eliminating the Student and Adult ticket prices we’ve traditionally offered,” explains Birdie Ann Donnell, president of the MSO Board of Directors. “Instead we’ve cordoned off the venue and identified the most logical segments for tiered ticketing.”

Three tiers of ticket prices have been introduced, starting at just ten dollars.

The new ticket pricing is:

  • $10 – side balcony
  • $25 – Floor
  • $40 – Premiere seating

Tickets can be purchased online or by calling the MSO Box office at 615-898-1862

A seating map is available on the Symphony Web Site

DNJ Highlights Zumbro Concert

Pianist comes home to ‘Boro to the delight of music lovers

Nicholas Zumbro and the Murfreesboro SymphonyMurfreesboro native Nicholas Zumbro was the Murfreesboro Symphony Orchestra’s soloist for the second concert of the season, performed recently at First United Methodist Church on Thompson Lane.

Zumbro started his piano lessons at an early age with Irene Morton. He attended Crichlow Elementary School and, beginning with the fifth grade, was entered in the Peabody Demonstration School in Nashville. After finishing high school, he was immediately accepted by the Julliard School of Music in New York City, beginning a long and illustrious career.

The first selection for the recent evening was “Overture in B Minor” by J.S. Bach. It was done in the elaborate ornamentation of the French court and not the strict classical composing of Bach.

The following three selections were from Franz Liszt’s “Years of Pilgrimage.” They were lovely, placid songs giving the feeling of being in the Swiss Alps.

The next piece was “Nocturne for the Left Hand, Op. 9″ by Alexander Scriabin. This is an unusual piece, as the left hand plays bass and treble parts. Zumbro’s trills and cadenzas were so smooth and seamless that you were certain his right hand was playing.

The last three selections were the “Goyescas” by Enrique Granados. They were filled with Spanish tempos and romance. The most familiar was “The Maiden and the Nightingale.” A young woman, Rosario, awaits her lover in her darkened garden. She begs the nightingale to answer her questions of the meaning of life and love. Silent at first, he finally begins to answer her in sparkling cascades of trills. Zumbro’s fingers flew over the keyboard so fast that you could almost see the nightingale flying away, never answering her.

After intermission, concertmaster Stefan Petrescu joined Zumbro in three pieces transcribed for violin and piano. The first was Debussy’s “The Maid with the Flaxen Hair.” It is a well-known melody of the faithful girl of lore, waiting for her beloved. The combination of the two instruments was pure loveliness.

The second was a piece by Fredric Chopin, “Nocturne in C-Sharp Minor.” It is a beautiful, romantic melody made even more tragic by his doomed love affair with author Georges Sand and his untimely early death.

The third selection was Debussy’s familiar “Clair de Lune.” This was a favorite piano piece I played in junior high. I had never heard it with any other instrument, but with Petrescu’s violin, it had an entirely different flavor. There is something in his Rumanian training and playing that is so Slavic in his sound, it leaves the audience breathless. The Zumbro and Petrescu duet went together like a soft hand in a velvetglove. Simply exquisite.

The last selection featured principal players from the Murfreesboro Symphony accompanying Zumbro in Chopin’s “Andante Spianato and Grande Polonaise, Op 22.” Chopin later added this to the original Op. 22 to suggest the moonlight gleaming on the waters of the rivers and streams flowing down towards Paris at night. It began with the piano playing the first half. It had a very elegant, stately feeling, as his Polonaises do. When the ensemble entered, the mood became more animated, ending with a great flourish.

The audience wanted to hear more and continued applauding until Zumbro and Petrescu had to repeat “Clair de Lune.” The audience wanted more, and the Chopin was repeated at the ensemble entrance. The audience continued applauding, not wanting the evening to end.

Zumbro is an international star on the concert stage and television. He is a teacher as well as a prolific composer. He is not a flamboyant performer, but rather an elegant, refined master of his craft. His technique is so solid and his interpretation so knowledgeable regarding each composer and their era. He talked to the audience as if they were in one of his many master classes, and it made for a very enjoyable and personal evening.

2nd Annual Wine Tasting Rescheduled

MSO Presents Music on MapleDue to scheduling conflicts, the 2nd Annual Wine Tasting has been rescheduled to March 13, 2011.